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H is For Hampshire College: To Know is Not Enough, A to Z Challenge 2013

Margaret with Hampshire Degree
Margaret Almon with Hampshire Degree, 1990.

H is for Hampshire College, Amherst, MA.  In 1987, I transferred from community college, mostly prompted by hearing a woman in an airport in Michigan, on my way home from the Michigan Womyn’s Music Festival, telling someone that Hampshire was the only school she could imagine attending.  I went to the library, and read about Hampshire in the Peterson’s Guide(print of course), and learned I could design my own major, and there were narrative evaluations rather than letter grades.

I loved the creative concept, the interdisciplinary mash-up.  The reality was harder to love.  I was lonely.  I was a work study student in the college post office(and still remember the box numbers), and was baffled by the student who carried his books in a paper bag, but drove a Mercedes, or the students whose parents could pay the tuition in full.  I graduated with student loan debt, and a degree that looked like a mandala. There is a niche market in framing them with round mattes.

Hampshire Mod 13 1992
My room in Hampshire Mod 13, 1990. Photo by Margaret Almon, probably standing in the hallway to get enough distance.

I lived in Greenwich Mod 13, which was named for one of the towns that disappeared under the the Quabbin Reservoir.  My room was pie shaped.  In honor of today being Orange Tuesday, I have included a photo of my chair, which came with the room.

Greenwich Mod 13 Hampshire College

Greenwich House Donut #2, Mod 13 Hampshire College, 1990. Photograph by Margaret Almon, as she packed up her grandparents’ van with her worldly belongings.Memorable aspects of Hampshire:

  • The Hampshire College motto is Non Satis Scire: To Know is Not Enough.
  • The only sports team I recall was Ultimate Frisbee
  • Hampshire was created by leaders of the other five schools in the region and I took classes at all of them except Amherst, including a poetry workshop with taught by a classmate of Sylvia Plath at Smith College.
  • The college had a working farm with sheep.
  • The array of alumni who have gone on to do interesting things from film maker Ken Burns, songwriter Elliott Smith, director Liev Schrieber, and writers Leah Hager Cohen, Jon Krakauer,  and comedian Eugene Mirman.

More images on my A to Z Challenge 2013 Pinterest Board.

A to Z Blogging Challenge April 2013

 

B is for Bethlehem, PA and the Community College

NCACC
Northampton County Area Community College, Bethlehem, PA, c.1986

On Tuesdays I feature something orange, and for the A to Z Challenge, I also needed the letter B.  I found this Northampton County Area Community College(NCACC) logo in my old papers from 1986.  NCACC is located in Bethlehem, and it’s where I went my first two years of college.  From far north in Canada, I had applied to Oberlin, Brown, and Vassar, because they were part of the  guidance office’s small collection of college catalogs, but I had no idea of the competition.  I was on two waiting lists, which disappointed me then, but now seems miraculous.

I also applied to several Canadian universities and was planning on attending University of Toronto, but imagining moving all the way across Canada from Alberta to a city I’d never seen was overwhelming.  I decided to spend the summer with my mother and sister in Bethlehem.  A friend from church suggested I look at going to community college until I figured out what I wanted to do.   I loved NCACC, and it’s where I met Stratoz.  B is for Bethlehem, the Christmas City, with a star on the hill made of lights.

Self Portrait, Margaret Almon, 1987.
Self Portrait on a Bethlehem Porch, Margaret Almon, 1987.

 

Where have you gone “in the meantime”?

For more orange goodness, check out my Orange Tuesdays Pinterest Board.

Batik in Tanzania: Filex Jacobson Msalu

Madonna and Child, by Filex Msalu(2006), Batik, photo by Johan van Parys.
Madonna and Child, by Filex Msalu(2006), Batik, photo by Johan van Parys.

 

The blue glows as much as the warmer orange, in this portrayal of Madonna and Child by Tanzanian artist Filex Jacobson Msalu.  Batik is a process of applying wax and dye to fabric and then melting out the wax so more dye can be overlaid.   There is a burst of articles about him and his Sunshine Art Studio across from the Arusha Conference Center in Tanzania from 2005-2009, with details such as wanting to be an artist, and his father disowned him for refusing to become a driver or mechanic or something “useful,” then learning Batik, which was brought to Tanzania by Indonesian traders and missionaries.  A missionary inspired Filex to create traditional Biblical scenes with African settings.

I wanted to see what Filex is doing now, and could not find anything more recent than 2009.  There are still art galleries in Arusha, and classes tourists can take, but no mention of Filex.  I hope he is still making art.

Video of Filex Jacobson Msalu making Batik.

An Artist in Tanzania: Filex’s Batik Workshop

 

The Orsoni Smalti Veneziani Color Library: Glass Volumes for Mosaic Artists

Orsoni Smalti Veneziani.
Orsoni Smalti Veneziani. Slabs of red and orange glass ready to be cut into chunks of smalti.

The Orsoni Smalti Veneziani Colour Library is the kind of library I would want to work in.  None of the libraries I worked at had this kind of visual exuberance!  The Orsoni Factory traces its history back to Angelo Orsoni, a glass worker in Venice, who had the idea to bring a sample panel of smalti to the Paris Exposition of 1889.    I had seen photos of this panel, but did not realize it was a utilitarian sampler.  The centerpiece of this World’s Fair was the Eiffel Tower, but I am partial to chunks of glass.

 

More orange goodness at my Orange Tuesdays Pinterest Board.

I Was a Stranger and You Welcomed Me: Painting by Anne-Lise Hammann Jeannot for the World Day of Prayer 2013

World Day of Prayer 2013.
World Day of Prayer 2013. Painting by Anne-Lise Hammann Jeannot.

Friday, March 1st, 2013, is the World Day of Prayer, with this year’s service created by Christian women in France.  Stratoz brought this poster home from his church, Holy Trinity Episcopal Lansdale, and the orange caught my eye.  The art is by Anne-Lise Hammann Jeannot, a painter from France.  She eloquently describes her vision of the 2013 theme “I was a stranger and you welcomed me,”

Since my work borders on abstraction, I have attempted in this painting, to translate the idea of a stranger by a silhouette painted only with grays, deliberately separate from the other colors because of the fact that, in essence, it is different. Playing with lines and lighter colors – nearing on white, I have attempted to represent light, to include the character in this light that comes from above, from the sky, travelling through space to encompass the stranger. Equally the light shines forth from the group, symbolized by shapes or stones in the lower part of the painting. A circle is created and it welcomes the character. I wanted the entire scene to be bathed in a warm and colorful atmosphere, and so I used colors to demonstrate the festive nature, the impact of the encounter, the openness to others.

anne-lise_hammann_jeannot_kuenstlerin_des_titelbildes_weltgebetstag_2013_wgt_e.v
Anne Lise Hammann

 

Every year the program is created by women in a different country, and women’s groups bring some of that country into their services around the world.  The Chef, my friend at Good Food Happy Man, contributed some recipes, and we will be making some “strong cheese” and procuring baguettes at Alice Bakery for part of the refreshments.  The prayer focus this year is immigrant women, and how to embody the welcoming spirit.

More orange at my Orange Tuesdays Pinterest Board.

Still Life with Orange Plate and Alice Chocolates

Orange Plate with Chocolates
Orange Plate by Lisa Sabol with Chocolates from Alice Bakery,
North Wales, PA. Photo by Margaret Almon.
Orange and Blue. Photo by Margaret Almon.
Orange and Blue. Photo by Margaret Almon.

When I brought home chocolates from Alice Bakery & Confectionary, I discovered one dusted in orange, and two in a shade of blueberry.  The fused glass plate by Lisa Sabol was the foil, plus some reflections from the window.  Isn’t it wonderful when photos turn out better than you imagined?

Composing this still life made me think of the guestbook we saw on our trip to the museums and galleries of Washington DC, and the comment by KR that resonated!

Art is Food.
Art is Food, KR signs the guest book at Smithsonian. Photo by Wayne Stratz.

Orange Has My Heart: Graphic Design by W. Chris Gorman

Orange Hearts by W. Chris Gorman
Orange Hearts by W. Chris Gorman.  Método Directo De Conversación En Español. Photo by Margaret Almon.

I found this orange goodness from 1969 at a thrift store for 50 cents.  I couldn’t find a credit for the cover art and did some fruitless searches, but then I picked the book up again, and in minuscule type at the top right corner of the back cover, I read “Cover Designed by W. Chris Gorman.”

W. Chris Gorman/The AIGA Design Archives

Log Cabin Quilt Love

Log Cabin Quilt Trivet in Coral and Cream by Margaret Almon.
Log Cabin Quilt Trivet in Coral and Cream by Margaret Almon.

Last post, I wrote about Ann Brauer‘s use of gray tones with flashes of color, and her post, Why Grey?  I came across this trivet I made, which I photographed and then forgot about.  I love these tiles with the flashes of gray, taupe.  They are subtle and ever-changing in the light.  Then it’s even more fun to add the orange, coral and tea rose tones, with the pop of red-orange dichroic in the center.

More quilt inspired trivets at Nutmeg Designs.

Ann Brauer: Quilts in Conversation with Color

Autumn Hills by Ann Brauer.
Autumn Hills by Ann Brauer.

 

Ann Brauer makes quilts from color, from landscape, from beauty.  I love how she lets the colors play off of each other, whether in intense jewel tones, rainbow progressions, or in letting flashes of brightness be wrapped in greys and browns.  On twitter she made a comment that resonated with me about people not realizing they were looking for a quilt until they saw hers.  We get ideas about what “quilts” are or what “mosaics” are.  There is immense wonder in being wowed by an artwork, in responding before we even know what we are looking at.

Ancient light--45 x 45"--copyright Ann Brauer 2011
Ancient light–45 x 45″–copyright Ann Brauer 2011

The piece above, Ancient Light, is captivating with the windows of orange against the muted background.  She wrote a blog post, Why Grey?

Why did I want to work in these colors again? What was it about them? Why was I drawn to these soft colors of slate and mist, mauve and taupe? Was it the trees in the winter? Their bark against the fallen leaves? Or the sky just before a snow storm? Those deep rich colors? Or just wanting to contrast these dark colors against clouds of light and promise?

 

 

More Orange Goodness on my Orange Tuesdays Pinterest Board